DISC Mackie DFX12 Compact Mixer

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The DFX�12 actually includes three flavors of channel strips. Channels 1 through 4 accept microphones or mono line level sources, just like Channels 1 and 2 on its little brother. Channels 5/6 and 7/8 accept microphones or stereo line level sources. Channels 9/10 and 11/12 accept stereo line level sources.

This combination gives you maximum versatility: you can run up to four microphones and four stereo instruments�or you could run one microphone and use all the rest of the input for instruments and tone modules. Or combinations inbetween.

Low Cut infrasonic filters keep your PA system from getting a woofer hernia. The 75Hz Low Cut filters on the DFX Series' mono mic channels work wonders at minimizing mic thumps, stage rumble, wind noise and P-pops - subsonic frequencies that rob amplifier power and make woofer cones undulate like belly dancers.

The 12kHz High and 80Hz Low shelving EQ on the DFX Series are placed at the far ends of the audible musical spectrum (instead of the traditional 100Hz and 10kHz). They're based on the design in our CFX and PPM Series, which are acclaimed

for their natural sound. And you can actually use them as a midrange control - gently cutting both high and low EQ on a channnel has the audible effect of boosting midrange, and vice versa.

A universal power cord and internal power supply instead of outlet-eating external power supply modules.

Sealed rotary controls keep out dust, liquids and smoke. Thick fiberglass circuit boards and metal main chassis resist impacts that send our competitors' mixers to the service department. Special wear-resistant wiper surfaces in the faders won't turn scratchy even after years of use.